Textured translucent paper
Our portfolio consists of a richly varied range of textured papers, base colours and acid-free coated media all sourced from leading manufacturers such as Hahnemuhle and Innova. Watercolour reproductions - watercolour paper is fast becoming the media of choice for fine art archival and giclee prints due to its cotton and polyester composition. Including products from leading manufacturers renowned by artists such as Hahnemuhle and Innova, our range includes a wide range of textured canvases from rough to smooth, in natural white and warm base colours and in a variety of materials such as cotton and polyester. Our exhibition collection has a carefully selected range of textured and heavyweight papers in gloss, lustre, semi-gloss and satin finishes.Ĭanvas reproductions - our specially chosen range of canvas materials will help you produce output that excels. Our wide range means that watercolours, etchings, pastels, acrylics, oils and a wide variety of other techniques can all be accurately printed as giclees, limited edition prints, restorations, display copies or original output in a variety of finishes, materials, sizes and textures.Įxhibition prints - artists and photographers producing exhibition quality reproductions of their work need a high quality paper that will last. Each material has been specifically developed to meet the demands of original artwork production. The Xativa Fine Art Collection gives you a comprehensive range of fine art papers, canvases and portfolio materials to match your creativity. Read more about the other products from the Xativa, Hahnemuhle, Innova and JM Textile Fine Art ranges.
#TEXTURED TRANSLUCENT PAPER FULL#
GDS stock the full range from Xativa, including CAD Papers, Matt Presentation Papers, Satin & Gloss Photo Papers, Roll Up films, Canvas Rolls, Banner rolls and Outdoor Self Adhesive Vinyl. Compatible with all aqueous based dye, pigment and UltraChrome K3 Inks this material expands the portfolio of print applications open to your printer This high quality art paper with a canvas-like texture has a special coating to provide consistent colour reproduction and gamut while still maintaining the look and feel that artists expect. Produce exquisite, museum-quality prints, time after time with Xativa Canvas Textured Paper. We conclude that neither color matching screen display under normal room lighting or matching the chromaticity of the environment's lighting to an LCD screen is sufficient to eliminate cues to glow.A 230gsm inkjet paper embossed to give the appearance and feel of canvas - Xativa Canvas Textured Paper 230gsm - a great budget alternative, cheaper than printing onto artist canvas or where a project needs to be ripped, decoupaged, or mocked up prior to finished canvas prints, etc.Ī matt coated paper with canvas-like structure giving an excellent print performance, large colour gamut and high lightfastness with pigmented inks.
#TEXTURED TRANSLUCENT PAPER PATCH#
Observers were significantly better at identifying the light-emitting patch in condition 1 than in conditions 2 and 3, but performance in the latter two was still above chance. In condition 3, the lighting in the room was matched to the computer's white point (x=0.31, y=0.32) and the screen showed luminance-calibrated patches. In these condition, the (1) luminance or (2) colour (CIE XYZ) of the translucent paper was matched to a randomly chosen paper sample. Conditions 1 and 2 took place under beige ambient lights (CIE x=0.39 y=0.38). The observer judged which aperture was light-emitting rather than reflective. Through one randomly chosen aperture, observers viewed a sample of translucent paper on an LCD screen, and through the other eight apertures, they viewed samples of opaque paper. In a 9AFC task, observers viewed a 3x3 grid of nine 3.2 cm square apertures. Here, we hypothesize that the same realism can be achieved by matching the CIE xy chromaticity coordinates of the environment's lighting to the LCD monitor's white point. When a translucent, textured paper sample was placed in front of a computer screen, and the CIE xy chromaticity coordinates of the screen were matched to paper samples, participants were unable to differentiate between small patches of an LCD screen and real paper. In previous experiments, we found that colour and texture were driving cues for glow detection with LCD screens. Even under restricted viewing conditions (e.g., monocular, stationary) people usually recognize that an LCD screen emits light instead of reflecting incident light.